EXPRESSIONISM.
Term Paper ID:29755
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Essay Subject:
Artistic movement in the early 20th Century.... More...
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4 Pages / 900 Words
2 sources, 7 Citations,
MLA Format
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Paper Abstract:
Artistic movement in the early 20th Century. Discusses the concerns, subject matter and motivations of Expressionism as a reaction to Impressionism. Comparison between the two movements: Expressionist concern with inner feelings of the artists. Impressionist concern with external experiences. Artistic aims. Work of Kandinsky, Blue Rider artists, Die Brucke.
Paper Introduction:
As an artistic movement, the original form of Expressionism encompassed all progressive movements from Fauvism and Cubism to Futurism and early abstract works. In its later form, Expressionism denoted the artistic movement that reached its peak in the early part of the 20th Century, primarily in Germany (Dictionary of 20th Century Art). This paper will describe the concerns, subject matter and motivations of Expressionism as an artistic movement, and compare it with other aesthetic positions such as Impressionism.
Expressionism may be viewed as a reaction to Impressionism. The Impressionistic movement itself was a reaction to the rigid academic conventions of the Salon. The concern of the Impressionists—Monet, Renoir, Manet, Morisot,
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reached its peak in the early part may be viewed as a reaction to Impressionism aninstantaneous impression of a scene in nature Paris and Renoir's Moulin de la external appearances theExpressionists were concerned with expressing the the differentartistic sensibilities of Impressionism and Expressionism are vividlydemonstrated of Symbolism and Expressionism is evident in early years of the th Century had outer Expressionism The Die Brucke period of German less conventional andfreer Major artists origins Stokstad Subject matter included womenliving in harmony with sense of alienation that informed GermanExpressionism As Stokstad points out conveysphysical and psychological torment as can be seen in Reiter The Blue Rider which as a group wasless with The Blue Rider as did other inaugurate a great spiritualepoch' through the artists were more spiritually oriented Abstract Expressionism The movement was a bridge betweenthe past and Edition New Jersey Prentice-Hall Inc Dictionary of th Cubism to Futurismand early abstract works In its subject matter and motivations of Expressionismas an artistic movement concern of the Impressionists-Monet Renoir nature other Impressionist subject matter included scenesof isemphasized by the relaxed informality of the composition itself While position of each artistic movement Compare MaryCassatt's of their subject matter influenced the artisticvision of rough painttechnique with its almost violent application records of modern life The spiritual condition artas well as a search for a Rottluff Ernst LudwigKirchner and Emile Nolde Their art Whereas Renoir glamorized his subjects the DieBrucke artists dehumanized theirs Schmidt Kollwitz whose subject matter included theconcerns of the working most extreme form of GermanExpressionism the other of thatgroup included Franz Marc and the expect viewers to understand his symbolism Hesought to became non-representational and was aninfluence on the later Abstract Expressionist thematerial world including politics German Expressionism artist was more important than the actual objectsportrayed in As an artistic movement the original of the thCentury primarily in Germany Dictionary of th Century TheImpressionistic movement itself was a Stokstad Monet'sImpression Sunrise and Manet's Le Dejeuner sur l'Herbe are Galette As Stokstad observes Renoir glamorized the innermost feelings of theartists not physical reality the Van Gogh Gaugin and the Post-Impressionist thework of the Belgian painter and printmaker James Ensor Stokstad as well as innerconcerns The young Expressionism that was founded inDresden in signified a search of this movement which means The Bridge in nature as portrayed in Schmidt-Rottluf's Die Brucke attempted to further their artisticaims collectively but his Self-PortraitNude with its anguished expression extreme The Blue Rider was artists butKandinsky's radical abstraction was the most notable aesthetic sheer force of color Stokstad AlthoughKandinsky's early work than the Die Brucke groupthat was more concerned future Its principal aesthetic was Century Art Second Edition London Phaidon Press later form Expressionism denoted theartistic movement that and compare it with other aesthetic positions suchas Impressionism Expressionism Manet Morisot Degas Cezanne Cassatt Pissarro-was to capture city life and urban leisure Examples include Monet's Boulevard desCapucines the Impressionists were concerned with Woman in a Loge with Edvard Munch's The Scream and the Expressionists Symbolism also had an impact onExpressionism A blending Ensor'sfeelings Stokstad German Expressionism however which beganin the of people was amajor concern of new type of life a life suggests a Gauguinesque yearning toreturn to imaginary Kirchner's Street Berlin is anexcellent example of the class and Egon Schiele whose work major Expressionist-oriented group in Germany inthe s was the Blauer Russian Vasily Kandinsky Swiss-born PaulKlee also exhibited awaken their spirituality and thus movement Kandinsky and TheBlue Rider along with Cubism represents the substructureof Modernism and works of art Works CitedStokstad Marilyn Art History Volume Second form of Expressionismencompassed all progressive movements from Fauvism and Art This paperwill describe the concerns reaction to the rigid academicconventions of the Salon The two examples In addition to working class and the ease of their relations different approaches and motivationsinform the aesthetic movement that portrayedthe psychological aspects Ensor's The Intrigue with its disturbing facial depictions and artists were critical of their bourgeois society andthe materialism for a new inward-searching type of English included Fritz Bleyl Erich Heckel Karl Schmidt Three Nudes-Dune Picture from Nidden other Expressionists chose to work independently Among these were Kathe Whereas Die Brucke represented the formed in Munich and major artists of thismovement Kandinsky did not was representational and influenced by theImpressionists his later work with expression of powerful emotions and that the perception andexpressiveness of the Ltd reached its peak in the early part may be viewed as a reaction to Impressionism aninstantaneous impression of a scene in nature Paris and Renoir's Moulin de la external appearances theExpressionists were concerned with expressing the the differentartistic sensibilities of Impressionism and Expressionism are vividlydemonstrated of Symbolism and Expressionism is evident in early years of the th Century had outer Expressionism The Die Brucke period of German less conventional andfreer Major artists origins Stokstad Subject matter included womenliving in harmony with sense of alienation that informed GermanExpressionism As Stokstad points out conveysphysical and psychological torment as can be seen in Reiter The Blue Rider which as a group wasless with The Blue Rider as did other inaugurate a great spiritualepoch' through the artists were more spiritually oriented Abstract Expressionism The movement was a bridge betweenthe past and Edition New Jersey Prentice-Hall Inc Dictionary of th Cubism to Futurismand early abstract works In its subject matter and motivations of Expressionismas an artistic movement concern of the Impressionists-Monet Renoir nature other Impressionist subject matter included scenesof isemphasized by the relaxed informality of the composition itself While position of each artistic movement Compare MaryCassatt's of their subject matter influenced the artisticvision of rough painttechnique with its almost violent application records of modern life The spiritual condition artas well as a search for a Rottluff Ernst LudwigKirchner and Emile Nolde Their art Whereas Renoir glamorized his subjects the DieBrucke artists dehumanized theirs Schmidt Kollwitz whose subject matter included theconcerns of the working most extreme form of GermanExpressionism the other of thatgroup included Franz Marc and the expect viewers to understand his symbolism Hesought to became non-representational and was aninfluence on the later Abstract Expressionist thematerial world including politics German Expressionism artist was more important than the actual objectsportrayed in
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