DRAGNET & NYPD BLUES.   Term Paper ID:28020 Click to get this paper

Essay Subject: Compares & contrasts the 1950s & current police shows. Includes growth of TV as a medium, style of the 2 shows, social climate.... More...

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Paper Abstract: Compares & contrasts the 1950s & current police shows. Includes growth of TV as a medium, style of the 2 shows, social climate. Paper Introduction: The 1950s era television series Dragnet and the current 1990s television series NYPD Blue would seem to have little in common aside from both being about police and police cases, but in fact the two shows are more closely related than that. Dragnet was the first television series to try to present the police in a realistic light, not as superheroes but as men and women doing a job. NYPD Blue is a direct descendant of this effort, though the emphasis has changed greatly and the shows diverge widely in many different ways. The differences between the two shows reflect not just a different emphasis but also different social settings, different eras in television, different technical capabilities, different audience expectations, and different levels of freedom. Dragnet was first a radio program and was carried over onto Text of the Paper: The entire text of the paper is shown below. However, the text is somewhat scrambled. We want to give you as much information as we possibly can about our papers and essays, but we cannot give them away for free. In the text below you will find that while disordered, many of the phrases are essentially intact. From this text you will be able to get a solid sense of the writing style, the concepts addressed, and the sources used in the research paper. the two shows aremore closely related than that Dragnet a direct descendant of thiseffort though the emphasis has different social settings different eras in television Radio and television were bothdeveloped as commercial media have an even greaterimpact once a mass audience wasWorld War II and a shift from one to the other important media niche onethat was even bigger than from radio to build the television should bemade to finance that loss In NBC chairman the number of stations on the by the Korean War until Still was anerosion in national radio advertising but this the television system was patterned after thatof radio andthe system of advertising shifted from a sponsor-oriented system to The shift was not only structured a holdover from radio this pattern as well During the entire history of network Such control was thorough extending whichproduced the program directly Advertisers also or shown Dragnet was a major shift shows like Pat Novak for Hire or Jeff Regan impetus for Dragnet or not Webb took a similar idea from radio the radio version continued played by Jack Webb and Ben much parodiedbecause it was so easy to it sounds In fact Webbdeveloped stories by shows were developed they gave the impression ofallowing whenever possible and shaping stories sothat the of the two versions of Dragnet was subtly from a cynicalattitude the later version was produced in a different social climatethan we the dark side that might support from any program that challenged the long line of police dramas of various Bluewas Steven Bochco teamed here with David Milch that was different for televising HillStreet Blues was set the first NYPD Blue created a furor because attract viewers In when you're unless we can paint with This was true in some forth small Svetkey NYPD Blue is an example of a broader societal virtues Dirty Harry's American icon has long since been ambiguity Gone are the stand-up few of us ever really knew Caldwell F Such theRodney King beating have left the Los Angeles police image social problems that produce crime In on the street The characters on NYPD of the job done by thepolice merely police officersmight go bad and have to be itself might be geared to protecting bad cops for far to recognize it as a reality and to Works CitedCaldwell Gail The Case York Overlook Press Jencks Richard W How Network Television Program New Jersey August E Svetkey Benjamin Shades of Blue in common aside fromboth being realistic light not as superheroes but asmen and women doing differences between the two showsreflect not just first a radio program and millions of peopleinstantly and altering social attitudes family relationships the s Whatdelayed the development of in the American home The the way people related to radio changed butthis to an end in and whenradio was very profitable millionloss over the next four years a period of transition as the number of pendingtelevision licenses while it studied the likely Radio held its own at was developed by companies that had television broadcasting however it wasclear that television was involved a shiftin programming responsibility the ways advertisersshaped programs and appealed to viewers The in terms of a network from the largely made not by the supervision ofday-to-day production and the monitoring of the programs be offered and by negotiating with the network had severalradio series before this usually semi-documentary drama about a police investigation in cut into the radio audience Webbdeveloped a television version of For most of therun two detectives were spare dialogue a focus on crime and a Angeles Police Department thoughit was never wouldfollow the same approach with this as he became a revived Dragnet that returned to network of the subsequent trial However style that the two seem was much greater trust ofthe police than we see today seeing everything in terms of goodversus evil The advertisers also the air in and from the first challenged theboundaries Kojak orHawaii Five to various completely fictional but at the and draws on thevitality of Bochcoindicated that times had changed and homes now I don't think at o'clock reasons forcomplaints and many network affiliates of million viewers a week and toward a more realistic view of thepolice officer who could easily pass for John Le Carre's who'd gladly break a few heads to appears to be too good and indeed todistrust deeply into the terrors of the street the on the street Theensemble cast of characters contend with their complexity thatwas lacking in the simplistic Dragnet Shows the issue in that light Dragnet was always open the programsmore open to develop the idea that Dragnet would a fit subject for a televising show precisely have in some degreereflected society's view of York A S Barnes Company Fornatale Peter and Joshua E David M Rice eds Lexington Maryland Lexington Books The s era television series Dragnet and the current was the first television series totry changed greatly and the shows divergewidely different technical capabilities differentaudience expectations and different in the era after World War I it was commercially viable Television was invented in thelate s within a few years of the but the creationof a new atmosphere which accommodate both Radio it had occupied before The Golden industry The NBC researchdepartment predicted in David Sarnoff urged radionetwork affiliates to get into television air from to The FCC slowed the process large-scale television programming started in with the national politicalconventions was offset by a growth inregional and This included the system of sponsorship and advertising By theend one inwhich the networks and stations sold time to a response tochanging economic conditions but also to concerns about Television was deliberately created by the radio networks and so radio entertainment and during the first decade of to decisions on the format and natureof programs the could take on the task ofscheduling in radio programming when it first went onthe Investigator In he appeared in a film to radio a program presenting authentic police to run as wellfor several years Dragnet was a Alexander The style of theshow was much imitate The show suggested that the cases wereall taken talking to police about their cases and then the public into the real world of the Los police were presented in the different Theessential pattern was the same crime investigation so steeped in boosterism for the face today Establishment institutions like the police departmentwere face the police in society it verities toodirectly or that called American values into types from the more documentary-like Bochco had earlierrevamped the police drama form with in a never-identified fictional Northeastern city while NYPD of the degree towhich it pushed the envelope doing a cop show and you're some of the same colors Bochco said Mann E The to midsize cities acrossthe country though at the and entertainment trendaway from the establishment-orientation of shows supplanted by the likes of Pembleton of heroes of the doughnut-and-Smith Wesson beat portrayals are possible only because society at from Dragnetseem especially archaic NYPD Blue presents police in addition what happens to the characters off the job is Blue as well as the situationsoff and on the because they take a more realistic view weeded out and numerous episodes dealt withjust that issue With toolong and that it might be the system attempt to do somethingabout it Police shows of the Disappearing Decent' Detective Minneapolis Star Tribune May Decisions Are Made In Network Television Entertainment Weekly October about police and police cases but in fact a job NYPD Blue is a different emphasis but also was carried over ontotelevision with the same cast in and howpeople related to their environment Television would television as a product for shift from radioto television was not really happened in a way that gave radio its own and when the networks were planning to use theirprofits and it was suggested that radio cities withtelevision grew from eight to and impact of the new medium and this freeze was extended first perhaps because of the shortage of television outlets There beenactive in network radio and different from radio in a number of respects and control from advertisers to networks andindependent programmers and studios development of the networksystem for television was very beginning DeLuca The advertising system followed networks themselves but by advertisers and their agencies Jencks for taste andpropriety Some advertisers even had in-house production units for the specific time periods in whichit would be heard as some form of extremely tough privatedetective in Los Angeles Whetherthis was the the show though as was then common withshows carried over followed as they investigated a crime each week the detectives cynical attitude The style was clear that this was as direct as other shows he produced notably Adam inthe s However the virtual spokespersonfor the department boosting it television in and ran for three more seasons The style where the s version benefited from a film-noir style and like verydifferent shows The Dragnet of the s was This also meant less freedom to explore anyelement of had restrictions on the networks andwould withdraw of television and socially accepted behavior The show followeda combinations The guiding hand behind NYPD same time offeringa sense of realism and grittiness that city to infuse life into the form From that it was necessary to offersomething more to we can effectively compete any longer refused to carry the show when itfirst aired making it the most successful newdrama of the season as a human being with flaws as well as gray men defined by inner torments and moral defend the virginal myths of an America the police entirely in some cases Major events such as ravages of crime and the private demons as well asthose like NYPD Blue are not less supportive about the possibility that some never acknowledge namely that the system because society as awhole has come the police and of the threat of crime to everycitizen Mills Radio in the Television Age Woodstock New Mann Virginia Too Blue for TC The Record Bergen County stelevision series NYPD Blue would seem to have little to present the police in a in many different ways The levels of freedom Dragnet was Radio was thefirst truly mass medium of communication reaching and various experiments were conducted into end of that war televisionwould start to become a feature did not disappear as waspredicted by some Instead Age of Radio was coming that television would produce an and many heeded this advice Asa result was by putting a freeze on all and a number of weekly programs local advertising Fornatale and Mills Television as a medium of the first full decade of advertisers rather than havingadvertisers sponsor specific programs This change also advertiser control including questions being raised in Congress about it is hardly surprising that our television system was conceived network television program decisions were selection of stars and supporting players as they decided to which network the program would air in Creator producer and star Jack Webb had entitled He Walked by Night which was a cases about the Los Angeles PoliceDepartment When television began to major hit on radio and on television like the film-noir style of the movies with from the real files of the Los takingportions from different cases to make a dramatic presentation Webb Angeles PoliceDepartment and Webb focused on best possible light This was evenmore true of the capture and anannouncer telling the viewer the results police andhad such a rigid and over-worked respected as a matter of course and there was amore black-and-white world as far as question NYPD Blue came on dramas of Dragnet and Adam to hero-oriented shows like his series Hill Street Blues a showwith an ensemble cast Blue is set in the real city of New York for sex and violence on television competing with cable which has a tremendous penetration into inclusion of nudity and realistic language were the primary same time the show managed to attain anaudience like Dragnet with theirsqueaky-clean police officers Homicide and Sipowicz of NYPD Blue cops the fellows from Adam or Hunter large has also come todistrust the police officer who a different lighteven as the show also delves more assignificant as the action at the station house and job that they find themselves in reflect a of the human beingswho become officers though some might see shows like NYPD Blue however we find itself that was in need of change This is from Dragnet to NYPD Blue F DeLuca Stuart M Television's Transformation The Next Years New and the Public Interest Michael Botein and the two shows aremore closely related than that Dragnet a direct descendant of thiseffort though the emphasis has different social settings different eras in television Radio and television were bothdeveloped as commercial media have an even greaterimpact once a mass audience wasWorld War II and a shift from one to the other important media niche onethat was even bigger than from radio to build the television should bemade to finance that loss In NBC chairman the number of stations on the by the Korean War until Still was anerosion in national radio advertising but this the television system was patterned after thatof radio andthe system of advertising shifted from a sponsor-oriented system to The shift was not only structured a holdover from radio this pattern as well During the entire history of network Such control was thorough extending whichproduced the program directly Advertisers also or shown Dragnet was a major shift shows like Pat Novak for Hire or Jeff Regan impetus for Dragnet or not Webb took a similar idea from radio the radio version continued played by Jack Webb and Ben much parodiedbecause it was so easy to it sounds In fact Webbdeveloped stories by shows were developed they gave the impression ofallowing whenever possible and shaping stories sothat the of the two versions of Dragnet was subtly from a cynicalattitude the later version was produced in a different social climatethan we the dark side that might support from any program that challenged the long line of police dramas of various Bluewas Steven Bochco teamed here with David Milch that was different for televising HillStreet Blues was set the first NYPD Blue created a furor because attract viewers In when you're unless we can paint with This was true in some forth small Svetkey NYPD Blue is an example of a broader societal virtues Dirty Harry's American icon has long since been ambiguity Gone are the stand-up few of us ever really knew Caldwell F Such theRodney King beating have left the Los Angeles police image social problems that produce crime In on the street The characters on NYPD of the job done by thepolice merely police officersmight go bad and have to be itself might be geared to protecting bad cops for far to recognize it as a reality and to Works CitedCaldwell Gail The Case York Overlook Press Jencks Richard W How Network Television Program New Jersey August E Svetkey Benjamin Shades of Blue in common aside fromboth being realistic light not as superheroes but asmen and women doing differences between the two showsreflect not just first a radio program and millions of peopleinstantly and altering social attitudes family relationships the s Whatdelayed the development of in the American home The the way people related to radio changed butthis to an end in and whenradio was very profitable millionloss over the next four years a period of transition as the number of pendingtelevision licenses while it studied the likely Radio held its own at was developed by companies that had television broadcasting however it wasclear that television was involved a shiftin programming responsibility the ways advertisersshaped programs and appealed to viewers The in terms of a network from the largely made not by the supervision ofday-to-day production and the monitoring of the programs be offered and by negotiating with the network had severalradio series before this usually semi-documentary drama about a police investigation in cut into the radio audience Webbdeveloped a television version of For most of therun two detectives were spare dialogue a focus on crime and a Angeles Police Department thoughit was never wouldfollow the same approach with this as he became a revived Dragnet that returned to network of the subsequent trial However style that the two seem was much greater trust ofthe police than we see today seeing everything in terms of goodversus evil The advertisers also the air in and from the first challenged theboundaries Kojak orHawaii Five to various completely fictional but at the and draws on thevitality of Bochcoindicated that times had changed and homes now I don't think at o'clock reasons forcomplaints and many network affiliates of million viewers a week and toward a more realistic view of thepolice officer who could easily pass for John Le Carre's who'd gladly break a few heads to appears to be too good and indeed todistrust deeply into the terrors of the street the on the street Theensemble cast of characters contend with their complexity thatwas lacking in the simplistic Dragnet Shows the issue in that light Dragnet was always open the programsmore open to develop the idea that Dragnet would a fit subject for a televising show precisely have in some degreereflected society's view of York A S Barnes Company Fornatale Peter and Joshua E David M Rice eds Lexington Maryland Lexington Books If this paper is not what you are looking for, you can search again: Search for: or Click here to request an essay written just for you.

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